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Anatomy of a Booking: Bonus Round

In a perfect world, decision-makers would see each actor once and know which one to cast. Alas, we do not live in a perfect world. Often, even after you've nailed the callback, you're not done, and in those cases, I think of what comes next as the "bonus round." The bonus round can consist of a few different things.

  • Second/Third/Fourth Callbacks
    Usually, these happen because the decision-makers can't makeup their minds. Someone hasn't seen what they need to see in order to make a clear choice. They can look exactly like a regular callback, where you go to the casting office and read with a bunch of other actors, or they can be weird, unique animals... I once had a third callback for a commercial that involved just me, no other actors called, in a three-hour wardrobe fitting to convince the client that I could wear clothes besides what I wore to the second callback (which of course was what they told me to wear. Go figure.) 
     
  • Chemistry reads
    These are a lot like producer sessions, except that instead of reading with the casting director, you'll read with the actor you'd be acting with if and when you book the job. The goal is to get a sense of your "chemistry" with the other actor. 
     
  • Testing 
    If you're reading for a series regular or major recurring character, you may have to 'test' for the role. Sometimes this looks like a regular callback, except that you'll now be reading for network or studio executives. In some cases, they may put you through the whole process of hair and makeup. You agent or manager should be able to tell you what to expect.

    You will also be asked to sign a contract that will go into effect if you book the job. At this point, you get to see how much money you stand to make. Don't let it freak you out. Easier said than done, but many actors have fallen prey to that mistake in their tests.

These bonus rounds are often preceded by phone calls or even work sessions with the casting director. The purpose of these notes and sessions is to give you feedback from the producers — feedback designed to help you get the job. Incorporate it as best you can, but also remember that your work got you this far. Don't throw it away or get caught up in trying to please anyone. Take the notes, but stay true to yourself. 

No matter what kind of bonus round you're in, your job is the same. Just like in the producer session, focus on being the solution to their problem. Be happy to be there, because that's the kind of person people want to spend days and weeks and months with on set. And tell yourself as often as possible that if you've gotten to this point, you're a serious contender. They would not be spending this kind of time on someone they didn't think could do the job. Whatever the outcome, they  — the casting director, director, writer(s), producer(s), and network/studio folks — will remember you. No matter what happens, you've taken a big step forward in your professional reputation and relationships. Go celebrate.

Next week... The Booking!!!